§ 7. Mr. HainTo ask the Secretary of State for National Heritage what assessment he has undertaken on the impact of the spending plans for his Department in 1994–95 on the structure of future arts provision.
§ Mr. BrookeThis question could be interpreted in a number of ways. I have interpreted it as referring to the effects of decisions taken by the Department in respect of allocations of funds to the arts. I confirm that the indicative planning figure given to the Arts Council for its grant in aid in 1994–95 is £220.9 million—a reduction of £4.7 million or 2 per cent.
§ Mr. HainAll that waffle means that the Secretary of State is not answering my question. Will he confirm that the Treasury's philistine axe will savage the right hon. Gentleman's budget by as much as £5 million? That will be a double body blow, coming on top of millions of pounds of cuts forced on local authority budgets. It will mean, in particular, that discretionary awards to students of dance and drama, which are virtually impossible to obtain at present, will become even more difficult to make. Does not the Secretary of State realise that Britain's high reputation for arts and culture will be destroyed by the undermining of the ability of our young people to contribute to them?
§ Mr. BrookeIf the hon. Gentleman will put down clear questions to me, I shall be delighted to give him clear answers. He referred in the latter part of his question to local authorities. My right hon. Friend the Secretary of State for Education, into whose budget the provision for discretionary awards flows through local authority spending, has confirmed that appropriate resources have been available for those awards to be made up. Discretionary awards are, by their very nature, for local authorities to decide.
§ Sir Thomas ArnoldWill my right hon. Friend make representations to the Arts Council about the apparent mismanagement of its property portfolio?
§ Mr. BrookeI believe that my hon. Friend refers to the lease that the Arts Council took at the height of the property boom on premises in Yarmouth place, to provide overflow space behind its headquarters at 105 Piccadilly. After the council's move to Great Peter street, it was unable to find a tenant to take over the lease. It has now found a buyer for the property and has divested itself of the lease at a cost considerably less than continuing to pay rent until the end of the lease. That will mean more money for the arts in future years.