43. Miss Wardasked the Chancellor of the Exchequer what money has been made available to the Arts Council for the acquisition of the assets of ballet companies in 1952–53.
§ Mr. Boyd-CarpenterNone, Sir.
Miss WardWould I be right in assuming that grants-in-aid are not normally used for the purchase of ballet companies?
§ Mr. Boyd-CarpenterThere are exceptions, but normally conditions are not attached to the grant-in-aid.
44. Miss Wardasked the Chancellor of the Exchequer the total grants in aid since the setting up of the Arts Council made available to individual ballet companies and opera companies.
§ Mr. Boyd-CarpenterAs the answer contains a number of figures, I will, with permission, circulate it in the OFICIAL REPORT.
Miss WardAs the International Ballet Company has now been put off the road, will my right hon. Friend bear in mind that I, at any rate, do not think that grants-in-aid should be used for the creation of monopolies for either ballet or opera?
§ Mr. Boyd-CarpenterI will note my hon. Friend's views.
§ Mr. SnowAs the Treasury reserves the right to examine and generally scrutinise the annual budget of the Arts Council before it allows the Council to get on with expenditure, can some attention be drawn to the mining and other industrial communities, which never seem to get the services of the Arts Council in providing ballet? I am thinking of the small industrial communities.
§ Mr. Boyd-CarpenterThat is largely a matter for the Arts Council, on whom falls the main responsibility of allocating grants. I am sure that it will pay due attention to the point of view which the hon. Member has expressed.
§ Following is the information:
§ From its incorporation in August, 1946, until the end of the financial year 1952–53 the Arts Council paid out approximately £1,533,700 in grants and guarantees to opera and ballet companies. The details are as follow:
£ | |
Ambassadors Ballet | 553 |
Ballet Rambert | 18,114 |
Carl Rosa | 7,500 |
Celtic Ballet | 200 |
Covent Garden | 1,063,000 |
Cygnet Ballet | 785 |
Dancers from Vienna | 621 |
Delius Trust | 1,500 |
English Opera Group | 27,000 |
Glasgow Grand Opera Society | 1,300 |
Glyndebourne Productions | 28,000 |
Intimate Opera Society | 9,443 |
London Opera Club | 1,285 |
London Opera Society | 400 |
National Operatic & Dramatic Association | 25 |
Opera Studios | 4,250 |
Sadlers Wells | 334,750 |
St. James's Ballet | 9,254 |
Spanish Dancers | 2.462 |
Welsh National Opera Company | 16,075 |
Festival of Britain (Various Productions and Competitions) | 7,229 |
§ In the case of Covent Garden and Sadlers Wells it is not possible to apportion grants as between opera and ballet.